An old red jacket and a mute servant perform a bullfight, a hairdryer and a handbag are involved in smuggling and dark business like in an agent movie, an orange rubber apron alternately turns into a pregnancy belly or a rubber pillow with astonishing momentum... The performers in their white, cream and beige tinted art uniforms, alienated everyday clothes, almost seem to merge with the white stage set - they do not want to push themselves into the foreground, neither by color nor by exaggerated drama. They remain charming pretenders and quirky victims of things, and also like to disappear into the flaps, cracks and tents that open up in the stage construction.... The lightness of the play, the whimsical moments of surprise and the intricate mix of friendly naivety and sophistication with which an artistic universe is asserted here ensure a gentle slipping away and not unpleasant states of regression. Apart from that, one can no longer enter one's kitchen without outlandish trains of thought after a visit to the theater.

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