Press reviews

“a filmic-scenic search for traces, which in the poetry of minimalist abstraction and allusion repeatedly incorporates signs of pandemic presence … an eloquent approach to a music that is overshadowed by almost “sacred” seriousness without doing it violence … In any case, Beethoven’s late quartets have not been heard so intensely for a long time.”

“Even in this late stage, it’s still about these classical contrasts that Beethoven differentiated very finely and infinitely. And this theatre collective now uses this to make listening visible with scenic means … a very multi-layered picture that can be interpreted in many ways, but always related to Beethoven, and that is pretty strong!”